or gesture, to the pity of the people.
There is a guard of sundry horsemen riding abreast of the
tumbrils, and faces are often turned up to some of them, and they
are asked some question. It would seem to be always the same
question, for it is always followed by a press of people towards the
third cart. The horsemen abreast of that cart, frequently point out
one man in it with their swords. The leading curiosity is, to know
which is he; he stands at the back of the tumbril with his head
Charles Dickens ElecBook Classics
bent down, to converse with a mere girI who sits on the side of the
cart, and holds his hand. He has no curiosity or care for the scene
about him, and always speaks to the girl. Here and there in the
long street of St. Honore, cries are raised against him. If they move
him at all, it is only to a quiet smile, as he shakes his hair a little
more loosely about his face. He cannot easily touch his face, his
arms being bound.
On the steps of a church, awaiting the coming-up of the
tumbrils, stands the Spy and prison-sheep. He looks into the first
of them: not there. He looks into the second: not there. He already
asks himself, “Has he sacrificed me?” when his face clears, as he
looks into the third.
“Which is Evremonde?” says a man behind him.
“That. At the back there.”
“With his hand in the girl’s?”
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